Top 3 Films of the Week


Blockbuster Of The Week

The Railway Children Return (PG)


Sheridan Smith as Annie and Jenny Agutter as Bobbie Waterbury in The Railway Children Return, directed by Morgan Matthews. Photo: Jaap Buitendijk. Copyright: StudioCanal. All Rights Reserved.
Sheridan Smith as Annie and Jenny Agutter as Bobbie Waterbury in The Railway Children Return, directed by Morgan Matthews. Photo: Jaap Buitendijk. Copyright: StudioCanal. All Rights Reserved.

The year is 1944 and parents across Britain prepare to send their children into the countryside to escape Germany’s bombs. Siblings Lily, Pattie and Ted Watts are evacuated from Salford to the Yorkshire village of Oakworth to stay with Annie Waterbury and her son Thomas. The displaced children encounter injured American soldier Abe, who is hiding out in the railyard, and discover they can play a vital role in the war effort.



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Action of the Week

The Gray Man (12A)


Ryan Gosling as Six in The Gray Man, directed by Anthony and Joe Russo. Photo: Stanislav Honzik. Copyright: 2022 Netflix, Inc. All Rights Reserved.
Ryan Gosling as Six in The Gray Man, directed by Anthony and Joe Russo. Photo: Stanislav Honzik. Copyright: 2022 Netflix, Inc. All Rights Reserved.

Court Gentry, aka top-secret operative Sierra Six, has spent 18 years working covert missions for the CIA under Denny Carmichael and his predecessor, Donald Fitzroy. An assassination in Bangkok goes awry and Six stumbles upon dark secrets within the upper echelons of the agency he has sworn to serve. Disobeying orders from his superiors, Six becomes a target for sociopathic private contractor Lloyd Hansen and one-time allies including CIA operative Suzanne Brewer.



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Critic's Choice Of The Week

The Good Boss (15)


Javier Bardem as Blanco in The Good Boss, directed by Fernando Leon de Aranoa. Photo: Fernando Marrero. Copyright: Reposado PC/The Mediapro Studio/Curzon Artificial Eye. All Rights Reserved.
Javier Bardem as Blanco in The Good Boss, directed by Fernando Leon de Aranoa. Photo: Fernando Marrero. Copyright: Reposado PC/The Mediapro Studio/Curzon Artificial Eye. All Rights Reserved.

Julio Blanco proudly runs his family business and implores loyal employees at his factory: “Don’t treat me like a boss.” He projects the image of a laidback and genial businessman, who always has the best interests of staff at heart. However, Blanco is a ruthless profiteer and he will stop at nothing to win a coveted government award and impress a visiting journalist. When he decides to make a beloved, long-serving employee redundant, Blanco badly misjudges the situation and fissures appear.



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Also Released This Week...

A Chiara (15)

Fifteen-year-old Chiara lives in Calabria with her father Claudio, mother Carmela and older sister Giulia. When the old man goes missing in curious circumstances, Chiara investigates and uncovers disturbing family secrets.

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Fruits Basket: Prelude (Dubbed Version) (15)

An animated companion piece to the 2019 TV series steps back in time from the love story of Tohru Honda and Kyo Soma to probe the turbulent past of Tohru's mother Kyoko and explore how her love for Katsuya Honda helped to banish the darkness and kindle new hope.

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McEnroe (15)

Set over the course of one night in New York, this documentary invites John McEnroe to reflect on his life and career. McEnroe's children and wife Patty Smyth offer their personal insights, enriched with intimate home video footage and previously unseen archive material from big matches.

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NT Live: Prima Facie (15)

Killing Eve star Jodie Comer plays a crusading advocate of the law in a one-woman drama penned by Suzie Miller and directed by Justin Martin, which was recorded in front of a live audience on the stage of the Harold Pinter Theatre in London.

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